17432 -
DIRITTO PUBBLICO
(objectives)
The course deals with the study of Italian public law in its essential profiles, addresses some legal issues of particular social relevance, and has the aim of introducing students to a basic understanding of the Italian Constitution. The course also has the objective of stimulating and encouraging the acquisition of specific skills and competences in the analysis and interpretation of the rules and regulatory acts characterizing the area of Italian public law.
EXPECTED LEARNING RESULTS
1) Knowledge and understanding Analysis of public law in its fundamental profiles, with the aim of introducing a basic personal knowledge of the Italian Constitution
2) Applying knowledge and understanding Development of the ability to read and study legal norms, and in particular the constitutional provisions, in order to be able to apply them to concrete cases
3) Making judgments Stimulus to the critical evaluation of the contents of the law in force in order to verify, with autonomy of judgment, the respective compliance with the constitutional provision
4) Communication skills Development of communication and linguistic skills related to legal issues
5) Ability to learn (learning skills) Personal study of legal problems of particular social importance aimed at deepening their knowledge and their possible solutions.
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LILLO Pasquale
( syllabus)
STRUCTURE OF THE COURSE
The Course has as its object the study of the Italian public law and discusses some legal issues of particular social relevance. It's divided into a general part and a special part. The general part of the program is devoted to the consideration of the constitutional and institutional structure of the State. Particular attention is paid both to the form of the State both to the form of government adopted in Italy, with specific reference to the functioning of constitutional bodies and their mutual relations. The first part of the Course also includes a preliminary discussion of some aspects of the system of sources of law and the judiciary in Italian. The special part of the program is devoted to the study of fundamental human rights. Through an examination of the rights of freedom, the course aims to highlight their essential functionality to the individual and social development of the human person.
TOPICS COVERED
1. The Law and the legal system. 2. The State. 3. The forms of State and the forms of government. 4. The Italian constitutional order. 5. The rights and the constitutional duties. 6. The constitutional bodies. 7. The Sources of the law.
( reference books)
The exam program is identical for all students, attending and not attending.
The subject must be studied on two separate volumes, according to the indications that follow.
a) The general part of the examination program should be studied in the following manual, limited to the chapters and paragraphs expressly indicated:
P. CARETTI, U. DE SIERVO, Diritto costituzionale e pubblico, quarta edizione, Giappichelli, Torino, 2020 (ISBN/EAN: 978-88-921-3570-3) (o edizione successiva)
Cap. I, paragrafi: 1, 2, 3, 4, 5, 6, 7, 8 Cap. II, paragrafi: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15 Cap. III, paragrafi: 1, 2 Cap. IV, paragrafi: 7, 8 Cap. VI, paragrafi: 1, 2, 3, 4, 5, 15, 16, 17, 18, 19, 20 Cap. VII, paragrafi: 1, 2, 3, 3.1, 3.2, 3.3, 3.4, 4, 5, 6, 7, 7.1, 7.2, 8, 10 Cap. VIII, paragrafi: 1, 2, 3, 4, 5, 5.1, 5.2, 5.3, 5.4, 5.5 Cap. IX, paragrafi: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 13.1, 13.2, 13.3 Cap. X, paragrafi: 1, 2 Cap. XI, paragrafi: 1, 2, 3, 4 Cap. XII, paragrafi: 1, 4, 5, 11 Cap. XIII, paragrafi: 1, 2, 3, 4, 4.1, 4.2, 5, 6 Cap. XIV, paragrafi: 1, 3, 3.1, 4, 4.1, 4.2 Cap. XV, paragrafi: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16 Cap. XVI, paragrafi: 1, 2, 3, 4, 5, 6, 7, 8, 9
b) The special part of the examination program should be studied on the following text: P. LILLO, Diritti fondamentali e libertà della persona, seconda edizione, G. Giappichelli, Torino, 2006 (ISBN 88-348-6509-X), without pages: 127-195.
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8
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IUS/09
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48
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Core compulsory activities
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ITA |
17427 -
TEORIE E TECNICHE DEI MEDIA
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FIORENTINO Giovanni
( syllabus)
-Orality and writing. The history of man and the communicative artefact, means of communication and social transformations. -The roots of the modern: birth of metropolitan civilization and consumer aesthetics, archeology of mass communication media (1800-1850). -Advent of the technical reproducibility of the work of art, development of the means of mass communication and audiovisual, progressive transformations of literature and society (1850-1900). -From the historical avant-gardes to the birth of the modern collective imagination (1900-1930). -Growth and deconstruction of the mass culture industry, information, education, entertainment. Redefinition of public opinion (1930-1970). -Transformation of cultural policies and of the generalist media system, advent of neo-television (1970-1980). -Birth and development of new interactive media, spread of information technology and telematics, relationship between technological innovation, knowledge models and social relations. The society of networks. Convergent culture (1980-2020).
( reference books)
1. G. Boccia Artieri, F. Colombo, G. Gili, Comunicare. Persone, relazioni, media, Laterza, Roma-Bari, 2022 (ISBN: 9788859300700).
2. S. Brancato, S. Cristante, L'avventura umana nella comunicazione. Dal corpo dei Sapiens agli algoritmi, Luca Sossella, Roma, 2022 (ISBN: 9791259980243).
3. D. Bennato, M. Farci, G. Fiorentino (a cura di), Dizionario mediologico della guerra in Ucraina, Guerini, Milano, 2023 (ISBN: 9788881074747).
4. M. Pireddu, M. Serra, a cura di, Mediologia. Una disciplina attraverso i suoi classici, Liguori, Napoli 2012 (ISBN 9788820756017).
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8
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SPS/08
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48
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Basic compulsory activities
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ITA |
Optional group:
UNA MATERIA A SCELTA TRA TEORIE E TECNICHE DEL CINEMA DIGITALE E LINGUAGGI E FORMATI DELLA TV CONTEMP - Percorso STANDARD - (show)
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8
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18537 -
TEORIE E TECNICHE DEL CINEMA DIGITALE
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Catanese Rossella
( syllabus)
Part 1. Language and production Elements of narratology; framing; camera movements; the grammar of editing, between analog and digital; sound; post-production and special effects, from analog to digital.
Part 2. A diachronic journey through the history of cinema Historical and technological transitions in the history of cinema; documentary and non-fiction; modern cinema; video art; transition from analog to digital; contemporary aesthetics and found-footage.
Part 3. Digital landscapes Serial narratives between technological horizons and cultural practices; digital media theory; remix culture practices; AI.
( reference books)
David Bordwell, Kristin Thompson, Film History: An Introduction, McGraw-Hill, New York 2018 [1st edition: 1998].
Brian McKernan, Digital Cinema: The Revolution in Cinematography, Post-Production, and Distribution, McGraw-Hill, New York 2005.
Robert Edgar-Hunt, John Marland, Steven Rawle, The Language of Film, AVA Publishing, Lausanne 2010.
The following films, discussed in class, are recommended for viewing: Nosferatu (Nosferatu, eine Symphonie des Grauens, Friedrich W. Murnau, 1922) Battleship Potëmkin (Bronenosets Potëmkin, Sergej M. Ėjzenštejn, 1925) Bringing Up Baby! (Howard Hawks, 1938) Citizen Kane (Orson Welles, 1941) Rome, Open City (Roma città aperta, Roberto Rossellini, 1945) The Bicycle Thief (Ladri di biciclette, Vittorio De Sica, 1948) Rear Window (Alfred Hitchcock, 1954) The 400 Blows (Les Quatre Cents Coups, Francois Truffaut, 1959) Breathless (À bout de souffle, Jean-Luc Godard, 1960) 8½ (Federico Fellini, 1963) Blow up (Michelangelo Antonioni, 1966) Once Upon A Time in the West (C’era una volta il west, Sergio Leone, 1968) 2001: A Space Odyssey (Stanley Kubrick, 1968) The Conformist (Il conformista, Bernardo Bertolucci, 1970) Taxi Driver (Martin Scorsese, 1976) Star Wars (George Lucas, 1977) Blade Runner (Ridley Scott, 1982) Body Double (Brian De Palma 1984) Pulp Fiction (Quentin Tarantino, 1994) Toy Story (John Lasseter, 1995) Matrix (Larry e Andy Wachowski, 1999) The Fabulous Destiny of Amélie Poulain (Le Fabuleux Destin d'Amélie Poulain, Jean-Pierre Jeunet, 2001) House of Flying Daggers (Shí miàn mái fú, Zhang Yimou, 2004) The divine (Il divo, Paolo Sorrentino, 2008) Avatar (James Cameron, 2009) Interstellar (Christopher Nolan, 2014) The Shape of Water (Guillermo del Toro, 2017) Luca (Enrico Casarosa, 2021)
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8
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L-ART/06
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48
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Core compulsory activities
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ITA |
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