Optional group:
gruppo OPZIONALE attività di laboratorio - (show)
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90
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17997 -
Mosaic
(objectives)
The course will prepare the students to deal with mosaic restoration including the ability to diagnose the conservation problems and to choose among possible technical solutions for both conservation and aesthetic point of view. Familiarity with documentation techniques and aptitude of deepening themes proposed by the intervention will also be improved.
Practice in the different conservation operations will be also aimed at improving the student's manual skills, always needed in restoration work.
The aim of the exercise will also be to cultivate students planning and organizational skills, experiencing the management of the site in its various aspects.
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ALBERTI Livia
( syllabus)
First module, 150 hours
The first module will begin with a short introduction period to be held in the laboratory of the University of Tuscia and will be followed by the practical exercise that will be carried out on the mosaics of the archaeological site of the Mausoleum of Campo Barbarico in the Appia Antica Archaeological Park in Rome.
In the laboratory a series of theoretical lectures will be held, with the visual support of Power Point projections, which will cover the main topics related to ancient mosaics and their restoration such as: execution technique, constituent materials, ancient mosaic typologies and decorative motifs, as well as the main causes of deterioration and both ancient and modern maintenance and restoration interventions that can be detected by observing the mosaics.
This body of knowledge, which will be verified in class discussion during lectures and will be taken up several times during the academic year in relation to the different cases that will be addressed, will lead students to engage consciously and circumstantially in the practical exercises that will take place at the different sites.
A small mosaic will also be made individually in the laboratory, following the ancient execution technique as far as possible.
The organization of the worksite and thus the definition of the equipment and materials necessary for its execution will be carried out together with the students, who will thus begin to practice aspects such as designing and planning an intervention.
This year the second part of the module will be carried out on some black and white tile mosaic fragments recently excavated in the Campo Barbarico Mausoleum. The exercise will begin with a study of the execution technique of the mosaics and the masonry support structure, as well as the construction technique of the mausoleum itself. Direct observation will also lead to the survey and documentation of the state of conservation of the mosaic both structurally and superficially, and we will then proceed with the stabilization of the tessellation for mere conservation purposes in the tradition of archaeological restoration. During the on-site activities, the reasons for the adopted intervention methodology and more generally the techniques and aims of the intervention on in situ mosaics will be discussed.
Finally, during the module a visit to the archaeological site of Villa San Giovanni in Tuscia will be scheduled to inspect the mosaics of a Roman Domus already restored in previous years by the students of the University of Tuscia in order to start a maintenance program.
Second module, 150 hours
The second module will be carried out on a black and white tessera mosaic at the Villa dei Quintili in the Appia Antica Archaeological Park; a mosaic that has been exposed for many years and restored several times.
The restoration will involve operations such as removing the biological patina and cleaning the surface, fixing the movable tesserae and the detachments between the preparatory mortar layers, removing fillings made in previous interventions, and newly filling the lacunae and the interstices between the tesserae. Observations and interventions will be documented graphically and photographically.
The restoration of this mosaic will provide an opportunity to observe past interventions, assess their condition and efficiency, and discuss whether or not they should be removed or maintained.
The particular condition of the mosaic intended for the training exercise, which is affected by a severe depression produced by the subsidence of the support structure, may be an opportunity to study possible solutions for structural stabilization and rainwater drainage.
Third module, 150 hours
The third module will be carried out on the archaeological site of Carsulae and will address the operations required to stabilize the mosaics that will be assigned to the course this year. In this case, they will be recently excavated mosaics, treated only with emergency operations; the intervention will also be an opportunity to work alongside archaeologists and explore the problems related to the conservation of mosaics at archaeological sites.
The exercise will include operations such as removing vegetation, re-bedding movable tesserae with mortar, stabilizing raised portions of mosaic in severely deteriorated condition with the help of protective facing and temporary detachment of tessellatum portions, protecting/ and containing mosaic edges.
The module will also include frontal lessons on mosaic deterioration at archaeological sites and protection and prevention methods used at the site, such as re-burying and sheltering.
( reference books)
No text on mosaic restoration is adopted as course text. For the different topics dealing with the various conservation aspects related to this artifact, whether ancient or modern, pavement or parietal, we refer to the following bibliography.
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Mariani Francesca
( syllabus)
Tools and methods for reading an archaeological structure in which there are mosaic decorations.
Analysis of the temporal and spatial elements that characterize an integrated mosaic structure. Examples of structures, architectural organisms, urban fabric, constructions and decorations.
Consolidation of carbonate matrices with calcium hydroxide, history, methods and results. The case study of the Fornici Nord of the First Order of the Flavian Amphitheater in Rome. First case study: Minimal intervention- i Sectilia of the house of Augustus at the Palatine
Elements for reading historicized interventions on monumental archaeological structures: Ancient Ostia-Palatine-Roman Forum.
Gustavo Giovannoni and the lexicon of intervention at the time of the great excavations: 1880-1960
The ruin: material and potential units.
Progressive ruderization: mechanisms and causes.
Sustainable interventions in archaeological parks. Treatments for the control of vegetation and biological patinas.
Case of study: La Domus del Mitreo dalle Pareti Dipinte a Ostia Antica. Presentation of the complete work carried out with ISCR from 2010 to 2019.
( reference books)
Bibliography provided based on the works/case studies addressed in the laboratory or in situ
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18
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450
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Other activities
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17998 -
Manufattures synthetic materials manufactured, assembled and/or painted
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FONTANI Nicoletta
( syllabus)
Lectures:
- History of contemporary artistic techniques; methods and materials of works of art created in the period dating from the industrial age to the present day.
- Materials used in contemporary art: atypical supports, commercial ground layers, commercial oil and synthetic based binders, pastels, water-colors, pens and markers, plastics, paper materials of the XX and XXI centuries.
- Artist’s Homes: focus on the collections of Artists homes in the Tuscia area: Bonaria Manca. Alessandro Kokocinski, Serpara Park.
- Critical weaknesses in contemporary and/or poly material works, with regard to their technique of execution: deterioration and conservation. Conservation problems of twentieth and twenty-first century works on paper.
- Introduction to contemporary art conservation: distinction between deterioration foreseen and accepted by the artist and unplanned-for decay. Problems of balance in conservation interventions on contemporary works and the relationship with the artist’s will and intent.
- Consolidants and adhesives for artworks and their methods of application.
- Removal of surface dirt and cleaning of recent works. Sensitivity of synthetic materials to traditional solvents and problems in cleaning.
- Pictorial integration and the use of varnishes in modern and contemporary painting.
- Special problems in the treatment of contemporary works: conserving “the idea” and the conservation of installations.
Technique and conservation of contemporary works: laboratory and on-site projects
- Creation of reproductions of modern and contemporary artworks, researching original procedures and techniques, and applying them in order to learn new methodologies.
- Structural analysis and creation of state of conservation reports on the works which will be conserved during the course (Siveri, Kokocinski,Separa Park, SMA collections).
- Types of endogenous and exogenous damage.
- Digitally supported graphic documentation.
- Removal of surface deposits using current techniques
- Cleaning and removal of repaints and extraneous additions based on cleaning tests
- Disinfection of biological growth and treatment of insect infestations
- Consolidation using various methods and re-creation of missing areas with compatible materials
- Filling and structural integration
- Aesthetic reintegration
- Protection of the artwork
- Designing and developing a conservation report
- Photographic documentation and its place in the conservation report
- Examples of conservation interventions
- Interviews with the artist, or those close to the artist (where possible)
( reference books)
Various authors, Arte contemporanea, conservazione e restauro, contributi al colloquio sul restauro dell’arte moderna e contemporanea, Firenze, Nardini, 1994
Arte contemporanea. Le ricerche internazionali dalla fine degli anni '50 ad oggi. Edited by F. Poli, Milano, Electa, 2009 (first ed. 2003)
Banik G., Cremonesi P., de LA Chapelle A., Montalbano L., Nuove metodologie nel restauro del materiale cartaceo, I Talenti, Saonara (PD), Il Prato, 2003
Bordini S., Arte contemporanea e tecniche. Materiali, procedimenti, sperimentazioni, Roma, Carocci, 2007
Chiantore O., Rava A., Conservare l’arte contemporanea problemi, metodi, materiali, e ricerche, Milano, Ed. Electa, 2005
Crook J., Learner T., The Impact of Modern Paints, Los Angeles, The Getty Conservation Institute, 2000
M. Daudin-Schotte,H. Van Keulen,K. J. Van den Berg, Analisi e applicazione di materiali per la pulitura a secco di superfici dipinte non verniciate, Ediz. Bilingue, Quaderni del Cesmar7, Saonara (PD), Il Prato, 2014
Kermes, La rivista del Restauro, Restaurare l'Arte contemporanea? Fascicolo monografico, Anno XXVIII, Numero 98, Torino, Lexis, Aprile-Giugno 2015
Giordano R. C., Il restauro della carta, Teoria e Tecnica, Palermo, L’Epos, 2000
Iazurlo P., Valentini F., Conservazione dell’arte contemporanea temi e problemi. Un’esperienza didattica, Saonara (PD), Il Prato, 2010
I Materiali cartacei, Le antologie di ‘OPD restauro’, a cura di C. Frosinini, Firenze, Centro Di, 2006
Modern Paints Uncovered: Proceedings from the Modern Paints Uncovered Symposium, May 16–19, London, Tate Modern, 2006
Mundici M.C., Rava A., editors, Cosa cambia, teorie e pratiche del restauro nell’arte contemporanea, Milano, Skira, 2012
Sánchez Pons M., Fuster López L., Shank W., Conservation Issues in Modern and Contemporary Murals, Cambridge, Scholars Publishing, 2015
Shashoua, Y., Conservation of Plastics: Materials Science, Degradation and Preservation, Oxford, Butterworth and Heinemann, 2008), p.215
Parco della pace a Ravenna (Il). Esperienze di restauro del mosaico contemporaneo, Ravenna, Centro Internazionale per la Documentazione dei Mosaici, 2009 – data base with conservation reports (http://www.mosaicocidm.it)
Problemi conservativi dei manufatti dell'Ottocento. Edited by M. Fratelli ed E. Signorini. Atti Problemi di restauro - Giornate di studio, Milano 2-8-15-23-30-Maggiio 2006, Spazio Oberdan, Saonara, Il Prato, 2008, pp. 11-88
Pugliese, M., Tecnica mista. Materiali e procedimenti nell'arte del XX secolo, Milano, Bruno Mondadori, 2006
Standeven H., House paints 1900-1960, history and use, Los Angeles, The Getty Conservation Institute, 2011
Verteramo R., The age of plastic, beni artistici e industriali, I Talenti, Saonara (PD), Il Prato, 2013
Web Sites
https://issuu.com/cesmar7/docs/imp_analisi
https://fondazioneplart.it/ricerca/
Di Pasqua, G., Scardapane, S., Terzini, A., Vico, V., Vito, C., Intervista a Studio Forma Fantasma sulle collezioni Autarchy 2010 e Botanica 2011 - Immagini di accompagnamento
Martuscelli, E., The chemistry of degradation and conservation of plastic artefacts, Palazzo Spinelli, Edizioni Paideia, Firenze 2010
Martuscelli, E., Plastics artefacts as part of the cultural heritage: conservation issues related to the molecular structure, processing and composition, II Conference 'Diagnosisi for the Conservation and Valorization of Cultural Heritage, 15-16 Dicember 2011
Martuscelli, E., Degradation and preservation of artefacts in synthetic plastics, Palazzo Spinelli, Edizioni Paideia, Firenze, 2012
http://www.getty.edu/conservation/our_projects/science/modcon/
ISCR Istituto Superiore per la Conservazione ed il Restauro_ Pubblicazioni
http://www.icr.beniculturali.it/pagina.cfm?usz=2&uid=249&umn=76&smn=141
Interesting bibliography researchable online on the ISCR website
https://www.nga.gov/conservation/publications.html
https://www.tate.org.uk/research/reshaping-the-collectible/research-approach-conservation
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SOTTILE Sabrina
( syllabus)
Industrial materials have gradually replaced traditional materials in the production of works of art. In order to facilitate recognition of the work of art, direct contact with the artist is essential to indicate its design and execution. Knowledge of the technology of the materials used is the first step towards understanding their real composition, studying their degradation and developing appropriate treatments. For this reason, in conservation, the study of new binders and atypical supports, including plastics, is in continuous evolution, trying to recover data from the literature of technology manuals, analysing the materials in use and seeking solutions that can be reconciled with the principles expressed by Cesare Brandi's Theory of Restoration. The topics dealt with in the theoretical lessons will be directed towards what has been illustrated above, starting from the cataloguing of contemporary works with their material characterisation. The course will focus on painting materials: acrylic paints, oil in tubes, enamels (oleoresinous, alkyd and nitrocellulose), tempera. In addition, atypical supports, wood and cellulose derivatives, plastics, industrial preparations of supports will be treated, characterising them by technology, i.e. composition and manufacture, physical-chemical degradation and showing case studies as examples of restoration work carried out. The course includes an introduction to the methodological approach to contemporary art restoration, referring to the difficulties of treating many pictorial films, sensitive to the action of organic solvents or to the unstoppable deterioration of some atypical or plastic supports. Many case studies (Burri, Scialoja, Lombardo, Zivieri, Mirò, Stella, Consagra, Accardi,) will be used as examples to illustrate the resolution of complex problems of conservation of industrial materials and also routine works. Some research projects in the sector will also be illustrated, such as the application of laser cleaning of synthetic polymers, the selection of low molecular weight paints combined with varnish colours. A synoptic table with summary data on industrial paints and their solubility and heat treatment characteristics will be analysed in relation to the reasoned choice of restoration products to be combined for cleaning, consolidation, varnishing and retouching. The new rigid supports, solvent emulsions and aqueous cleanings will be analysed. The results of Dry Cleaning research, i.e. materials that can be used for mechanical dry cleaning, will be examined.
( reference books)
Chiantore O., Rava A., Conservare l’arte contemporanea problemi, metodi, materiali, e ricerche. Ed. Electa, 2005
Crook J., Learner T. The impact of modern paints. The Getty Conservation Institute.
Iazurlo P., Valentini F., Conservazione dell’arte contemporanea temi e problemi. Un’esperienza didattica, ed Il Prato, 2010
Mundici M.C., Rava A. a cura di Cosa cambia, teorie e pratiche del restauro nell’arte contemporanea, Skira 2012
Standeven H., House paints 1900-1960, history and use, The Getty Conservation Instute, 2011
AA.VV. Arte contemporanea, conservazione e restauro, contributi al colloquio sul restauro dell’arte moderna e contemporanea. Nardini editore
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FONTANI Nicoletta
( syllabus)
Lectures:
- History of contemporary artistic techniques; methods and materials of works of art created in the period dating from the industrial age to the present day.
- Materials used in contemporary art: atypical supports, commercial ground layers, commercial oil and synthetic based binders, pastels, water-colors, pens and markers, plastics, paper materials of the XX and XXI centuries.
- Artist’s Homes: focus on the collections of Artists homes in the Tuscia area: Bonaria Manca. Alessandro Kokocinski, Serpara Park.
- Critical weaknesses in contemporary and/or poly material works, with regard to their technique of execution: deterioration and conservation. Conservation problems of twentieth and twenty-first century works on paper.
- Introduction to contemporary art conservation: distinction between deterioration foreseen and accepted by the artist and unplanned-for decay. Problems of balance in conservation interventions on contemporary works and the relationship with the artist’s will and intent.
- Consolidants and adhesives for artworks and their methods of application.
- Removal of surface dirt and cleaning of recent works. Sensitivity of synthetic materials to traditional solvents and problems in cleaning.
- Pictorial integration and the use of varnishes in modern and contemporary painting.
- Special problems in the treatment of contemporary works: conserving “the idea” and the conservation of installations.
Technique and conservation of contemporary works: laboratory and on-site projects
- Creation of reproductions of modern and contemporary artworks, researching original procedures and techniques, and applying them in order to learn new methodologies.
- Structural analysis and creation of state of conservation reports on the works which will be conserved during the course (Siveri, Kokocinski,Separa Park, SMA collections).
- Types of endogenous and exogenous damage.
- Digitally supported graphic documentation.
- Removal of surface deposits using current techniques
- Cleaning and removal of repaints and extraneous additions based on cleaning tests
- Disinfection of biological growth and treatment of insect infestations
- Consolidation using various methods and re-creation of missing areas with compatible materials
- Filling and structural integration
- Aesthetic reintegration
- Protection of the artwork
- Designing and developing a conservation report
- Photographic documentation and its place in the conservation report
- Examples of conservation interventions
- Interviews with the artist, or those close to the artist (where possible)
( reference books)
Various authors, Arte contemporanea, conservazione e restauro, contributi al colloquio sul restauro dell’arte moderna e contemporanea, Firenze, Nardini, 1994
Arte contemporanea. Le ricerche internazionali dalla fine degli anni '50 ad oggi. Edited by F. Poli, Milano, Electa, 2009 (first ed. 2003)
Banik G., Cremonesi P., de LA Chapelle A., Montalbano L., Nuove metodologie nel restauro del materiale cartaceo, I Talenti, Saonara (PD), Il Prato, 2003
Bordini S., Arte contemporanea e tecniche. Materiali, procedimenti, sperimentazioni, Roma, Carocci, 2007
Chiantore O., Rava A., Conservare l’arte contemporanea problemi, metodi, materiali, e ricerche, Milano, Ed. Electa, 2005
Crook J., Learner T., The Impact of Modern Paints, Los Angeles, The Getty Conservation Institute, 2000
M. Daudin-Schotte,H. Van Keulen,K. J. Van den Berg, Analisi e applicazione di materiali per la pulitura a secco di superfici dipinte non verniciate, Ediz. Bilingue, Quaderni del Cesmar7, Saonara (PD), Il Prato, 2014
Kermes, La rivista del Restauro, Restaurare l'Arte contemporanea? Fascicolo monografico, Anno XXVIII, Numero 98, Torino, Lexis, Aprile-Giugno 2015
Giordano R. C., Il restauro della carta, Teoria e Tecnica, Palermo, L’Epos, 2000
Iazurlo P., Valentini F., Conservazione dell’arte contemporanea temi e problemi. Un’esperienza didattica, Saonara (PD), Il Prato, 2010
I Materiali cartacei, Le antologie di ‘OPD restauro’, a cura di C. Frosinini, Firenze, Centro Di, 2006
Modern Paints Uncovered: Proceedings from the Modern Paints Uncovered Symposium, May 16–19, London, Tate Modern, 2006
Mundici M.C., Rava A., editors, Cosa cambia, teorie e pratiche del restauro nell’arte contemporanea, Milano, Skira, 2012
Sánchez Pons M., Fuster López L., Shank W., Conservation Issues in Modern and Contemporary Murals, Cambridge, Scholars Publishing, 2015
Shashoua, Y., Conservation of Plastics: Materials Science, Degradation and Preservation, Oxford, Butterworth and Heinemann, 2008), p.215
Parco della pace a Ravenna (Il). Esperienze di restauro del mosaico contemporaneo, Ravenna, Centro Internazionale per la Documentazione dei Mosaici, 2009 – data base with conservation reports (http://www.mosaicocidm.it)
Problemi conservativi dei manufatti dell'Ottocento. Edited by M. Fratelli ed E. Signorini. Atti Problemi di restauro - Giornate di studio, Milano 2-8-15-23-30-Maggiio 2006, Spazio Oberdan, Saonara, Il Prato, 2008, pp. 11-88
Pugliese, M., Tecnica mista. Materiali e procedimenti nell'arte del XX secolo, Milano, Bruno Mondadori, 2006
Standeven H., House paints 1900-1960, history and use, Los Angeles, The Getty Conservation Institute, 2011
Verteramo R., The age of plastic, beni artistici e industriali, I Talenti, Saonara (PD), Il Prato, 2013
Web Sites
https://issuu.com/cesmar7/docs/imp_analisi
https://fondazioneplart.it/ricerca/
Di Pasqua, G., Scardapane, S., Terzini, A., Vico, V., Vito, C., Intervista a Studio Forma Fantasma sulle collezioni Autarchy 2010 e Botanica 2011 - Immagini di accompagnamento
Martuscelli, E., The chemistry of degradation and conservation of plastic artefacts, Palazzo Spinelli, Edizioni Paideia, Firenze 2010
Martuscelli, E., Plastics artefacts as part of the cultural heritage: conservation issues related to the molecular structure, processing and composition, II Conference 'Diagnosisi for the Conservation and Valorization of Cultural Heritage, 15-16 Dicember 2011
Martuscelli, E., Degradation and preservation of artefacts in synthetic plastics, Palazzo Spinelli, Edizioni Paideia, Firenze, 2012
http://www.getty.edu/conservation/our_projects/science/modcon/
ISCR Istituto Superiore per la Conservazione ed il Restauro_ Pubblicazioni
http://www.icr.beniculturali.it/pagina.cfm?usz=2&uid=249&umn=76&smn=141
Interesting bibliography researchable online on the ISCR website
https://www.nga.gov/conservation/publications.html
https://www.tate.org.uk/research/reshaping-the-collectible/research-approach-conservation
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18
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450
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Other activities
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ITA |
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Optional group:
gruppo OPZIONALE Metodologie per la conservazione e il restauro - (show)
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24
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17990 -
RESEARCH METHODS FOR ARCHAEOLOGY
(objectives)
Consistently with the educational objectives of the Degree Course, the course aims to provide basic knowledge in the disciplinary field (strategies, methodologies and techniques for the analysis of medieval archaeological sites and for the topographical study of territorial contexts), to enable the student to apply the acquired knowledge, to develop communication skills, independent judgment and ability to communicate ideas, problems and reflections in a clear and correct way, and to acquire the necessary skills to undertake any subsequent studies or professional paths in the field of medieval archeology.
The course aims to provide knowledge on strategies, methods and techniques of field research in archaeology, with particular reference to field survey, archaeological excavation and classification methods and typology. The student must be able to learn about the main excavation strategies and the stratigraphic method from a theoretical and practical point of view, to know the main methodologies and techniques of the archaeological survey and to know the practice of study and classification of materials.
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Derived from
18070 Metodologia della ricerca archeologica in SCIENZE DEI BENI CULTURALI (L-1) L-1 Pastura Giancarlo
( syllabus)
The course will develop through paths that illustrate: history, theory, techniques and methods of archaeological research.
The course will be structured in two teaching units: the first theoretical one, where the topics indicated in point 1 will be addressed. the second teaching unit will be dedicated to the deepening of the different fields of investigation indicated in points: Two, three, four, five.
1) The complexity and the paths of archaeological investigation:
the research on literary and documentary sources, the recognition (survey), the field investigation: brief history of the "conquest" of the method (from the excavation to the conscious research of the antiquarian of the XVII-XVIII century until the acquisition of the stratigraphic method; the relationship with the humanities and with those scientific disciplines);
application aspects: the reading of archaeological traces and remains, excavation techniques and strategies
Data collection: graphic documentation (surveying) and photographic documentation (excavation and materials): traditional systems and new techniques;
Data acquisition and cataloguing: cards, databases and the internet;
Interpretation: data processing and dissemination; scientific publication and communication.
2) The fields of investigation:
Landscape archaeology and environmental archaeology;
Architectural and urban archaeology;
The European Commission, DG XIII;
Cave archaeology
3) Archaeology and science:
Remote and proximal sensing
3) Archaeological thinking:
Theoretical archaeology: the archaeological process and post-trial
4) Communication in Archaeology:
Valorization, Public Archaeology and Participatory Archaeology
5) Preventive archaeology
( reference books)
A. CARANDINI, Storie dalla terra. Manuale di scavo archeologico, Torino 1996
E.C. HARRIS, Principi di stratigrafia archeologica, Roma 1983
Gli altri testi saranno forniti nel corso delle lezioni.
Student not attending:
DE MINICIS et alii, Archeologia del rupestre nel Medioevo, Bari 2020
F. CAMBI, Manuale di archeologia dei paesaggi, Roma 2011
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8
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L-ANT/10
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48
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Core compulsory activities
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ITA |
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17989 -
RESEARCH METHODS FOR ARCHITECTURE
(objectives)
- knowledge and understanding of the main aspects of the history of contemporary architecture (19th-20th centuries) and of the industrial archaeology;
- be able to contextualize from a chronological, geographical, authorial and cultural point of view the architectural works covered in the course program;
- be able to critically analyze the main morphological, typological and stylistic features of the works studied, using an appropriate specialized language;
- learning a valid method of analysis and understanding of architecture, which can be applied in cases different from those treated in the course.
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Derived from
17991 Strumenti e metodi per la manutenzione in CONSERVAZIONE E RESTAURO DEI BENI CULTURALI (LMR/02 abilitante ai sensi del D.Lgs n.42/2004) LMR/02 JAHIER Fiammetta
( syllabus)
The course deals with the preliminary study of the history of contemporary architecture, starting from the first half of the 19th century, with particular attention to the Italian, European and North American scene. Lessons will focus on the main cultural movements of the period, the architects of particular importance in the development of national and international trends, the most significant projects and realizations.
The second part of the course focuses on the theme of industrial archaeology and in particular on the definition of the discipline and its affirmation in Italy, on its specificities and problems, on the main types of building recognizable within the Italian industrial heritage, on the related process of recognition, knowledge, protection and enhancement.
( reference books)
- M. Biraghi, Storia dell'architettura contemporanea I. 1750-1945, Einaudi, Torino 2008
- M. Biraghi, Storia dell'architettura contemporanea II. 1945-2008, Einaudi, Torino 2008
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8
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ICAR/19
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64
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Core compulsory activities
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ITA |
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17991 -
Methods and documentation of artistic techniques
(objectives)
Understanding the theoretical foundations and the logical, organizational and technical processes that lead to the definition of an ordinary maintenance plan.
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JAHIER Fiammetta
( syllabus)
The term“Maintenance” means a scheduled and periodic process designed to know, control and maintain the best conservation conditions desirable for a movable, immovable property or a set of these.
The first part of the course is dedicated to the analysis of maintenance practices in history.
The theories and operational proposals that led to maintenance being indicated as an integral part of preventive conservation will be presented and discussed later.
We will analyze specific plans of programmed maintenance, one destined to archaeological areas and one addressed to museum collections; will be treated the organizational and managerial aspects of a maintenance and technical intervention, with the aim of preserving a whole rather than a single object.
In coordination with the course of Diagnostics and Spectroscopy of Cultural Heritage, will be presented the tools and methods for environmental monitoring in relation to the materials that make up the works of art and the environments that host them and will analyze some case studies.
The lessons will include visits to monuments and museums in Lazio and exercises.
Visits will be proposed at galleries and archaeological areas to observe the best practice of the maintenance plan in place.
Practical exercises are planned at the Viterbo Civic Museum, during which useful data will be collected for the drafting of conservative sheets for the drafting of an ordinary maintenance plan.
Finally, we will implement the practical program of routine maintenance that will be developed during the cognitive and data collection phase, as indicated in the Protocol of the Environmental Data Sheet present on the MIBAC Risk Charter.
The term “Maintenance” means a scheduled and periodic process designed to aknowledge, control and maintain the best conservation conditions desirable for a movable, immovable property or a set of these. The first part of the course is dedicated to the analysis of maintenance practices in history. The theories and operational proposals that led to maintenance being indicated as an integral part of preventive conservation will be presented and discussed later. We will analyze specific plans of programmed maintenance, one destined to archaeological areas and one addressed to museum collections; will be treated the organizational and managerial aspects of maintenance and technical intervention, with the aim of preserving a whole rather than a single object.In coordination with the course of Diagnostics and Spectroscopy of Cultural Heritage, will be presented the tools and methods for environmental monitoring in relation to the materials that make up the works of art and the environments that host them and will analyze some case studies.The lessons will include visits to monuments and museums in Lazio and exercises.Visits will be proposed at galleries and archaeological areas to observe the best practice of the maintenance plan in place.Practical exercises are planned at the Viterbo Civic Museum, during which useful data will be collected for the drafting of conservative sheets for the drafting of an ordinary maintenance plan. Finally, we will implement the practical program of routine maintenance that will be developed during the cognitive and data collection phase, as indicated in the Protocol of the Scheda Ambinetale present on the MIBAC Carta del Rischio.
( reference books)
OBLIGATORY TEXT
Atto di indirizzo sui criteri tecnico-scientifici e sugli standard di funzionamento e sviluppo dei musei (D. Lgs. n.112/98 art. 150 comma 6)
RECOMMENDED OR OBLIGATORY TEXTS FOR THOSE WITH LESS THAN 75% PRESENCE
Carte del restauro e Raccomandazioni: Carta di Atene (1931), Consiglio Superiore per Le Antichità e Belle Arti. Norme per il restauro dei monumenti. Carta Italiana del restauro (1932), Carta di Venezia (1964), Carta Italiana del Restauro (1972)
Silvia Cecchini, Trasmettere al Futuro. Tutela, conservazione, manutenzione programmata, Gangemi Editore, Roma, 2012; pp. 44-50, 66-75, 97-109, 122-140, 161-210.
La conservazione preventiva delle raccolte museali : atti del convegno Servizi e professionalità "nuove" per la tutela, a cura di Cristina Menegazzi e Iolanda Silvestri , Kermes Quaderni, Nardini ed., Firenze 2003
Oggetti nel tempo: principi e tecniche di conservazione preventiva, a cura dell’ Istituto per i Beni Artistici Culturali e Naturali della regione Emilia-Romagna, Servizio Musei e Beni Culturali, Clueb Edizioni, Bologna, 2007
Paolo Gasparoli, La manutenzione preventiva e programmata del patrimonio storico tutelato come prima forma di valorizzazione, University Press, Firenze, 2011
Stefano Della Torre, Preventiva, integrata, programmata: le logiche coevolutive della conservazione, in Pensare la prevenzione. Manufatti, usi, ambienti, atti del XXVI convegno Scienza e Beni Culturali (Bressanone 13-16 luglio 2010), Venezia, Arcadia Ricerche, 2010, pp. 67-76
Condition Assessment dal sito https://www.getty.edu/conservation/publications_resources/teaching/case/olita/collecti
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8
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ICAR/19
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64
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Core compulsory activities
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