Derived from
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119021 Curatorial methods for restoration in Archaeology and Art History. Protection and Valorisation LM-89 CATALANO Maria ida
(syllabus)
During the course, historical, theoretical and methodological notions will be combined with experiences related to particular cases. We will proceed by relating restoration, museum and exhibitions with the aim of evaluating the reciprocal critical instances and the relationships between these areas. The history of exhibitions, the theme of museum writing, the problems of bases and frames will be addressed. A specific experience will be made of the setting up at Palazzo Bruschi in Tarquinia of a work by Sebastian Matta "So that the victims win" (paper glued on canvas), which has been the subject of a restoration intervention Inspections will be carried out to verify past or ongoing experiences that highlight the correlation with museum restoration. Some inspections or external trips involve a full immersion of several hours.
(reference books)
The texts, indicated during the course, will be indicated according to the subjective elaboration needs of the individual students
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