Teaching - Università degli Studi della Tuscia

History of medieval and modern architecture (objectives)

The course will provide students with a basic framework for the study of Western architecture, from the High Middle Ages to the late Barocco. Through a combination of lectures and guided fieldtrips the pupils will be introduced to the study of the periods under examination, of construction history, and of the most representative buildings, as well as architectonic trends and relative solutions in construction. Moreover, the course will propose a monographic seminar, the Architecture of Donato Bramante, with the intention of furnishing pupils with an example of in-depth historical analysis. The course will also offer basic methodological notions for historical and critical analysis of architectonic witnesses from the period, so as to provide the essential tools necessary for an active and concrete knowledge of historical architecture, an essential pre-requisite for conservation.

Knowledge and understanding:
the candidate should know and illustrate the main architectural events, the relative contexts and constructions, with the relative typological, stylistic, constructive solutions, with particular attention to the relationship between architecture and decoration.

Applying knowledge and understanding:
the candidate should be able to understand, analyze and illustrate also unknown buildings, referable to the architectural contexts treated, with a critical spirit.
To this end, during the course, the candidate is due to elaborate a historiographic analysis on an architecture chosen by the candidate, with could be discussed in the examination.

Making judgements:
the candidate should independently understand and identify the main architectural features and elements, even in the case of buildings not directly included in the program, however attributable to periods and contexts considered by the same. The candidate should also highlight the existing relationships between the building considered and contemporary, previous and subsequent architectures.

Communication skills:
Through guided visits and active lessons, the course aims to stimulate learning and communication skills, with particular attention to the use of the appropriate technical vocabulary, implemented through thematic lessons (architectural orders, construction materials and techniques, typological solutions).
The candidate should also illustrate the historical architectural events and their buildings, referring to the architectural solutions, typological systems and stylistic characters, with particular attention to the technical vocabulary.

Learning skills:
The candidates should be able to study independently, also in deep, the architectural events of the medieval and modern age not included within the program. Students should achieve the bases to undertake a first cataloging and research activities relating to historic buildings.

Code

118559

Language

ITA

Type of certificate

Profit certificate

Credits

Scientific Disciplinary Sector Code

ICAR/18

Contact Hours

Type of Activity

Related or supplementary learning activities

Derived from	18419 Storia dell'architettura medievale e moderna in Archaeology and Art History. Protection and Valorisation LM-89 STROZZIERI YURI (syllabus) Course Introduction Notions of historical construction: materials, characteristics and techniques of construction Architectural orders: origins and fortune Introduction to practice: historical and critical analysis document (documentary chronology, analysis of the graphic and iconographic sources, and annotated bibliography). Illustration of a document prototype, of the method and of the pertinent research tools. Carolingian and Ottonian Architecture (8th to 11th century) Charlemagne’s Palatine complex in Aachen; the Lorsch Abbey; the Princely Abbey of Corvey; the Princely Abbey of Fulda. The oratory at Germigny-des-Prés. Saint Pantaleon Church in Cologne; Mainz Cathedral; St. Michael's Church, Hildesheim; Essen Abbey; St. Maria im Kapitol, Cologne; the Ottonian phase of Speyer Cathedral. Romanesque Architecture (11th to 12th century) Historical and socio-political context, general characteristics France The Romanesque in French pilgrimage churches on the Way of St. Jacques: Cluny II and III; Saint-Martin in Tours; Saint-Martial in Limoges; Saint-Sernin in Toulouse and St Jacques in Compostela The Romanesque in the French regional schools: Normandy (Bernay Abbey, Jumièges Saint Etienne and Trinité Abbeys in Caen); Burgundy (Cluny; Saint-Philibert de Tournus; Vézelay Abbey); Auvergne (the Basilica of Notre-Dame-du-Port in Clermont-Ferrand, Saint-Front Cathedral of Perigueux, Angoulême Cathedral); Provence (the church of Saint-Trophime in Arles). Germanic Countries Trier Cathedral; Speyer Cathedral; Basilica of the Holy Apostles, Cologne, Worms Cathedral. England St. Albans, Norwich Cathedral, Durham Cathedral. Italy Basilica of Sant'Ambrogio, Milan; Sant’Abbondio in Como; Modena Cathedral; Saint Marc’s Basilica in Venice; Florence, Baptistery and Basilica of San Miniato al Monte; Pisa, Cathedral and Baptistery; Rome, St. Clement, Santa Maria in Cosmedin, Santa Maria in Trastevere; Civita Castellana Cathedral; Santa Maria Maggiore and San Pietro in Tuscania; Santa Maria di Portonovo in Ancona; Viterbo, Cathedral, Santa Maria Nuova and San Sisto; San Nicola of Bari; Trani Cathedral; Palermo, Palatine Chapel, Cathedral, San Giovanni degli Eremiti, Norman Palazzi (Zisa and Cuba); Cefalù Cathedral, Monreale Cathedral. Gothic Architecture (12th to 13th century) Background, socio-political and historical context, general characteristics Early Gothic and the Île de France Saint Denis Cathedral; Sens Cathedral; Noyon Cathedral; Laon Cathdral; Paris, Nôtre Dame Cathedral and Saint-Chapelle. Cistercian Architecture Fontenay Abbey, Ponigny Abbey, Italian examples (San Galgano Abbey, Fossanova Abbey, Casamari Abbey, Chiaravalle Abbey). Mature Gothic Period Bourges Cathedral; Chartres Cathedral; Reims Cathedral; Amiens Cathedral; Bourges Cathedral. England Early English: Canterbury Cathedral; Lincoln Cathedral; Westminster Abbey. Decorated: Salisbury Cathedral; Exeter Cathedral; York Cathedral. Perpendicular: King’s College Chapel, Cambridge; St. George's Chapel at Windsor Castle, Gloucester Cathedral. Holy Roman Empire The first diffusion of Cistercian models; Maulbronn Abbey; Heisterbach Abbey. Basel Minster. Gothic diffusion: Liebfrauenkirche, Trier, Cologne Cathedral; Freiburg Minster. Late Gothic: Stephansdom, Vienna. The Parler family: Choir in St. Vitus Cathedral, Prague and St. Anne's Church, Annaberg-Buchholz. Italy Venice, Santa Maria Gloriosa dei Frari, the Basilica of Santi Giovanni e Paolo, palazzo Ducale; Milan Cathedral; palazzo pubblico of Piacenza; San Petronio in Bologna; Florence, Santa Croce; Santa Maria Novella and palazzo Vecchio; Siena Cathedral; St. Francis’ Basilica in Assisi; San Fortunato in Todi; Orvieto Cathedral; Santa Maria sopra Minerva in Rome; Castel del Monte and Frederician architecture. The Fifteenth century (part I) Brunelleschi Florence, the cupola of Santa Maria del Fiore, the Ospedale degli Innocenti, the Old Sacristy of San Lorenzo, the Basilica of San Lorenzo, Pazzi Chapel in Santa Croce, Basilica of Santo Spirito, the Rotonda degli Angeli, the Palazzo di Parte Guelfa, the Tribune Morte and the Lantern of the Chapel of Santa Maria del Fiore. Michelozzo Florence, Palazzo Medici, rotonda of the Santissima Annunziata Basilica Leon Battista Alberti and the De re aedificatoria Rimini, Malatesta Temple; Florence, palazzo Rucellai, the façade of Santa Maria Novella, the Rucellai Chapel in San Pancrazio; Mantua, San Sebastiano Church, Basilica of Sant’Andrea. The Fifteenth century (part II) Rome (Pope Nicholas V – Pope Alexander VI) Nicholas V’s project for St Peter’s, Loggia of blessings in St. Peter’s, Palazzo Venezia, the palazzetto and the church of San Marco, Santa Maria del Popolo, Sant’Agostino, Santa Maria della Pace, Innocent VIII’s Belvedere, San Pietro in Montorio, palazzo della Cancelleria. Florence and the Medicean Architecture of the second half of the XVth Century Palazzo Pitti, palazzo Strozzi, the Sacristy of the Basilica of Santo Spirito, San Salvatore al Monte; Prato, Santa Maria delle Carceri; Poggio a Caiano, villa Medici. Pienza: Cathedral and palazzo Piccolomini. Cortona: Church of the Madonna del Calcinaio. Urbino: palazzo Ducale, the Cathedral, San Bernardino. Monographic Seminar (part I) Donato Bramante. His training and arrival in Milan Lombard architecture in the second half of the fifteenth century. Filarete, the Solari, Dolcebuono and Leonardo da Vinci Portinari Chapel in the Basilica of Sant’Eustorgio, Sforza castle, Bergamo Cathedral, the Ospedale Maggiore, San Pietro in Gessate, Filarete’s Treatise; Pavia; the Certosa and Cathedral; Bergamo, Colleoni Chapel; Leonardo’s projects for Central plan churches. Bramante in Lombardy Painted Architecture in the palazzo dei Podestà and in the Angelini house in Bergano, a hall in the Panigarola house in Milan; the Prevedari incision; Milan, church and sacristy of Santa Maria presso San Satiro, the tribune of Santa Maria delle Grazie, The canon’s building and the cloisters of Sant’Ambrogio; Pavia Cathedral; piazza di Vigevano; façade of the Basilica of Santa Maria Nascente in Abbiategrasso. Monographic Seminar (part II) Bramante in Rome and in the Pontifical State Rome, Cloister and Convent of Santa Maria della Pace, the palazzo of the Cardinal Adriano Castellesi from Corneto (Giraud-Torlonia) ), the cortile del Belvedere, the Coir of Santa Maria del Popolo, via Giulia, palazzo dei Tribunali and San Biagio Church, the minor Basilica of Santi Celso e Giuliano, the tempietto di San Pietro in Montorio, palazzo Caprini, projects for St Peter’s; Loreto, basilica of the Santa Casa and the palazzo Apostolico; measures for Rocca Albornoz in Viterbo. Bramante’s Fortune The Sixteenth Century (Part I) St Peter’s Basilica after Bramante Raphael’s projects and activities, Peruzzi and Antonio da Sangallo the Younger. Raphael and Peruzzi Rome, Chigi Chapel in Santa Maria del Popolo, Sant’Eligio degli Orefici, palazzo Alberini, palazzo Branconio dell’Aquila, villa Madama; palazzo Pandolfini in Florence; villa Chigi in via della Lungara, Ghisilardi Chapel in San Domenico in Bologna, palazzo Massimo alle Colonne. Giulio Romano, Antonio da Sangallo the Elder and Antonio da Sangallo the Younger. Rome, Giulio Romano’s house, villa Lante al Gianicolo, palazzo Stati Maccarani, palazzo Adimari Salviati; Mantua, palazzo Te, Cathedral, San Benedetto in Polirone, Giulio Romano’s house. Montepulciano, Madonna di San Biagio; Civita Castellana, Fortress; Montefiascone, Rocca dei Papi. Rome, palazzo Baldassini, palazzo Farnese, Santa Maria di Monserrato, Santo Spirito in Sassia, Santa Maria of Loreto, Papal Mint; Mint and projects for Castro. The Sixteenth Century (part II) Falconetto, Sanmicheli and Sansovino Padua, loggia Cornaro; Verona, palazzo Bevilacqua, palazzo Canossa, porta Nuova, porta Palio, Madonna di Campagna; Orvieto, Petrucci Chapel in San Domenico; Montefiascone, Santa Margherita; Venice, palazzo Grimani, Marciana Library, the Loggetta del Sansovino, the Mint, palazzo Corner. Michelangelo Architect Florence, the new Sacristy in San Lorenzo, the Laurenziana Library; Rome, Campidoglio, additions to the palazzo Farnese, St Peter’s, projects for San Giovanni dei Fiorentini, porta Pia, Sforza Chapel in Santa Maria Maggiore, Santa Maria degli Angeli. Palladio Vicenza, palazzo Iseppo Porto, Basilica, palazzo Chiericati, palazzo Valmarana, loggia del Capitanio, teatro Olimpico; villa La Rotonda; villa Barbaro a Maser; Venice, San Giorgio Maggiore, Church of the Santissimo Redentore; The Four Books of Architecture. The Sixteenth Century (part III) Vignola Bologna, projects for St Petronius, palazzo Bocchi, the portico dei Banchi; Rome, villa Giulia and Sant’Andrea’s Church in via Flaminia, the façade of Santa Maria dell’Orto, the Church of the Gesù, Sant’Anna dei Palafrenieri; Caprarola, palazzo Farnese; Piacenza, palazzo Farnese; the Regola delli cinque ordini. Roma in the second half of the Sixteenth Century Villa d’Este in Tivoli; Rome, the casina Pio IV in the Vatican, the façade of the Church of the Gesù, Madonna dei Monti, San Paolo alle Tre Fontane, palazzo del Quirinale, San Salvatore in Lauro, palazzo Lateranense, the Fontana dell'Acqua Felice, Sistine Chapel in Santa Maria Maggiore, San Giacomo degli Incurabili. The Seventeenth Century (part I) The Architecture of the first decades of the seventeenth century in Rome Completion of St Peter’s, the façade of The Church of Saint Susanna, palazzo Barberini, palazzo Borghese. Bernini Architect Santa Bibiana (façade), St. Peter's Baldachin, Tritone fountain, the Cornaro Chapel in Santa Maria della Vittoria, palazzo Ludovisi, palazzo Chigi-Odescalchi, Sant’Andrea al Quirinale, St Peter’s colonnade, fontana dei Fiumi in piazza Navona; San Tommaso in Castel Gandolfo; Santa Maria Assunta in Ariccia; projects for the Louvre in Paris. Borromini San Carlino, the Oratorio dei Filippini, Sant’Ivo alla Sapienza, Sant’Agnese in Agone, Archbasilica of Saint John Lateran, the Church of Santa Maria dei Sette Dolori, the completion of Sant’Andrea delle Fratte, palazzo di Propaganda Fide. The Seventeenth Century (part II) Pietro da Cortona Architect Rome, the Church of Santi Luca e Martina, the villa Sacchetti al Pigneto, Santa Maria della Pace, Santa Maria in Via Lata. Carlo Rainaldi, Carlo Fontana, Giovanni Antonio De Rossi Churches in piazza del Popolo, Santa Maria in Campitelli, the façade of San Marcello al Corso, the completion of palazzo Ludovisi a Montecitorio, project for the completion of Piazza San Pietro, the project for a Church in the Colosseum; palazzo D’Aste. Naples and Venice Naples, the certosa di San Martino, San Giuseppe delle Scalze in Pontecorvo; Venice, Santa Maria della Salute. Guarino Guarini Project for Santa Maria della Divina Providenca in Lisbon; Messina, Church for the Somaschi Fathers; Turin, San Lorenzo, The Chapel of the Holy Shroud. The Eighteenth Century Rome in the First Decades of the Eighteenth Century The Porto di Ripetta, the Spanish Steps, piazza di Sant’Ignazio, Santa Maria Maddalena, Church of the Holy Rosary in Marino, the façade of palazzo Doria al Corso; the Architecture of the Arcadia, projects and realization of the façade of the Archbasilica of Saint John Lateran; Tuscia, Contini’s works at Vetralla, Barigioni’s works in Nepi. Filippo Juvarra Turin: the basilica of Superga, palazzo Madama, Church of the Carmine; the Stupinigi complex. Luigi Vanvitelli, Ferdinando Fuga and Nicola Salvi: between Rome and Southern Italy. The Royal Palace of Caserta, the Church of The Santissima Annunziata Maggiore in Naples; Rome, palazzo della Consulta, the Church of St. Mary of the Oration and Death; the Real Albergo dei Poveri in Naples; Trevi Fountain in Rome. (reference books) - Lineamenti di storia dell’architettura, a cura di L. Bartolini Salimbeni et al., Roma 1994 (per la parte relativa al Medioevo e quale introduzione alle epoche successive). - Storia dell’architettura italiana. Il Quattrocento, a cura di F. P. Fiore, Milano 1998. - W. LOTZ, Architettura in Italia 1500-1600, a cura di D. Howard, Milano 1997. - R. WITTKOWER, Arte e architettura in Italia 1600-1750, Torino 1993.
Dates of beginning and end of teaching activities	From 27/09/2021 to 14/01/2022
Delivery mode	Traditional At a distance
Attendance	not mandatory
Evaluation methods	Oral exam A project evaluation