PELOSI Claudia

Ricercatore 
Settore scientifico disciplinare di riferimento  (CHIM/01)
Ateneo Università degli Studi della TUSCIA 
Struttura di afferenza Dipartimento di DEIM - Dipartimento di Economia e Impresa 

Orari di ricevimento

Alla luce delle ultime disposizioni in relazione alle misure anti-Covid, il ricevimento in presenza è sospeso. E' comunque possibile contattare il docente via posta elettronica o, qualora necessario, per telefono o via skype (contatto claudiapelosi) al fine di organizzare un ricevimento a distanza tramite skype, Meet o Zoom

Curriculum

PERSONAL INFORMATION Family name, First name: Pelosi, Claudia Researcher unique identifiers: Publons: Web of Science Researcher ID C-4923-2018 Scopus Author ID: 22836449900 Google Scholar ID: HCEYvsQAAAAJ ORCID ID: https://orcid.org/0000-0002-1338-5267 Date of birth: 13/01/1965 Nationality: Italian • EDUCATION 1989: Master Degree in Chemistry/Faculty of Mathematics, Physics and Natural Sciences/ Department of Chemistry/University of Perugia (Italy) • CURRENT POSITIONS 2015 to present – Researcher and Aggregate Professor of Diagnostics and Spectroscopy for Cultural Heritage (CHIM/01, 8CFU), Chemistry for Restoration (CHIM/12, 8CFU), and Laboratory of Materials Science (ING-IND/22, 3CFU)/Department of Economics, Engineering, Society and Business Organization/ University of Tuscia /Viterbo (Italy) - National Scientific Qualification as Associate Professor in Analytical Chemistry (D.D. 1532/2016), with validity from 06/09/2018 to 06/09/2027 (art. 16, comma 1, Law 240/10), obtained on 06/09/2018. • PREVIOUS POSITIONS 2005-2015 – Researcher and Aggregate Professor/Department of Cultural Heritage Sciences/University of Tuscia/Viterbo (Italy) 1991-2005 – Graduated technician /Laboratory of Diagnostics for Conservation and Restoration / Faculty of Conservation of Cultural Heritage/University of Tuscia/Viterbo (Italy) 1990-1991 – Collaboration contract/Department of Sciences for the Forest Environment and its Resources/Faculty of Agriculture/University of Tuscia/Viterbo (Italy) • Research focus and interests (short description) Materials science applied to cultural heritage; study of restoration materials: durability, stability, photodegradation; study of surface protective and coatings for stone and wood; spectroscopic methods applied to cultural heritage and restoration materials; multispectral and hypespectral imaging techniques applied to cultural heritage and wood science. • Bibliometric indicators Publons: Web of Science 104 publications, h-index=18 Scopus: 77 publications, h-index=17 • Coordination & participation at research projects 2020-2021: Scientific responsible of the project Steadypick (New technologies for cultural heritage diagnostics and documentation), granted by Lazio Region (August 27th 2019, nr G11238 POR FESR Lazio 2014-2020. Project T0002E001-A0199 - "Cultural Heritage and Tourism" approved with Decision nr G16395/2017. Nr. Prot. A0199-2018-17547). 2019-2020: Participation to the Italian project “Le Porte della Tuscia”, founded by Lazio Region (Grant of 24/04/2019, published on BURL nr. 37 of 17/05/2019). 2020-2022: Participation to the EU project JPICH-Conservation, Protection and Use Call, Application nr. JPICH-0127, title: “Enhancement of Heritage Experiences: the Middle Ages. Digital Layered Models of Architecture and Mural Paintings over Time” (EHEM). Approved on February 8th 2020. 2020-2021: Participation to the International project “Roma Hispana. Inteligencia Artificial y Nuevas Tecnologías aplicadas al estudio, la musealización y la puesta en valor de Patrimonio Cultural español en Roma: la Spezieria di Santa Maria della Scala”. 2018-2020: WP5 leader of the project ADAMO (Technologies for the Analysis, DiAgnostics, and MOnitoring for the conservation and restoration of cultural heritage) of the Center of Excellence: Technological District for Cultural Heritage of Lazio Region, approved on July 2018 (http://progettoadamo.enea.it/attivita/). 2016-2019: Co-manager of the European project (Horizon2020 - 700191) STORM (Safeguarding Cultural Heritage through Technical and Organisational Resources Management). 2014-2015: Participation to the Egyptian-Italian Environmental Cooperation Programme: Institutional Support to the Ministry of Antiquities - ex Supreme Council of Antiquities for management, maintenance and Permanent opening to the cultural tourism the Medinet Madi Archaeological Park (ISSEMM-3). 2013-2018: Participant and Coordinator of the Diagnostics section (responsible of the archeometric study of the ancient metal musical instruments) of the European Project EMAP (European Music Archaeology Project, N° 536370-CU-1-2013-IT-CULTURE-VOL11) (http://www.emaproject.eu/claudia-pelosi.html). 2011-2016: Participant and coordinator of the Diagnostics section of the PRIN2011 project: “Rupestrian art and habitat in Cappadocia (Turkey) and in central and southern Italy. Rock, excavated architecture, painting: between knowledge, preservation and enhancement”, co-founded by the Italian Ministry of University. 2009-2010: participant to the research project "The Palazzo Venezia Museum in Rome and its sculpture collection", as responsible of the diagnostic analysis of terracotta sculptures from the permanent exhibition of the Museum as preliminary investigations before the restoration. The project was founded by Getty Foundation and Banca Intesa. (http://museopalazzovenezia.beniculturali.it/index.php?it/125/progetto-getty-foundation-catalogo-delle-sculture). • Awards and other recognitions: - Scientific and technical responsible of the Laboratory of Diagnostics and Materials Science (R7 network of the Center of Excellence Technological District of Cultural Heritage of Lazio Region); - Coordinator for the University of Tuscia of the Research Unit UR2 (New Materials, technologies, instruments and devices for the monitoring, conservation, protection and restoration of Cultural Heritage) of the Center of Excellence Technological District of Cultural Heritage of Lazio Region (https://dtclazio.it/unita%E2%80%99-di-ricerca-2); - Representative of DEIM Department in the Cultural Heritage Pole of University of Tuscia; - Member of the PhD International School: “Engineering for Energy and Environment” of University of Tuscia; - Representative of MIUR (Ministry of University and Research) for the final exams qualifying for the profession of restorer for the LMR/02 courses. - Member of the Editorial Board of the international journal European Journal of Science and Theology (Q1, http://www.ejst.tuiasi.ro/editorial.html). - Guest Editor of the Special Issue “Surface and Interface Analysis in Cultural Heritage” of the Journal Coatings (https://www.mdpi.com/journal/coatings/special_issues/Surf_Cultural_Heritage). - Guest Editor of the Special Issue “New Trends in Image Processing for Archaeology” of the Journal Heritage (https://www.mdpi.com/journal/heritage/special_issues/Heritage_New_Trends). - Member of the Reviewer Board of the international journal Instruments https://www.mdpi.com/journal/instruments/submission_reviewers - Reviewer for 26 international journals (totally 77 verified reviews) visible on Publons at the link: https://publons.com/researcher/1286177/claudia-pelosi. From 2010 to the present, participation to: 43 conferences, congress and symposia as speakers, chair and organizer/co-organizer. • Main research collaborations - 2018 to present: Member and coordinator of the Research Group “Diagnostic methods for investigating historical photographic films”, approved on December 19th 2018 with deliberation 138 of DEIM Department. The research group is constituted by researchers of University of Tuscia and of Aerofototeca Nazionale in Roma (MIBAC). - 2018 to present: Member and coordinator of the Research Group “Study of ancient manuscripts for the characterization of the materials and for the development of new methods of cleaning and consolidation through innovative approaches and eco-compatible products”, approved on June 15th 2018 with deliberation 132 of DEIM Department. It is constituted by members of the University of Tuscia and of University of Iaşi (Romania). - 2018 to present: Member and coordinator of the Research Group “Spectroscopic Analysis applied to the study of surface alterations of materials, mainly wood, and coatings for wood”, approved on September 13, 2018 with deliberation 134 of the DEIM Department. The group is composed by members of the University of Tuscia and of Sapienza University of Rome (Department of Chemical Engineering Materials & Environment). - 2018 to present: Member of the Research Group “Development of new methodologies for the non-invasive diagnostics of paintings”, coordinated by Prof. Giuseppe Calabrò and approved on September 13, 2018 with deliberation 134 of the DEIM Department. The group is composed by members of the University of Tuscia, University of Perugia, University of Calabria, University of L’Aquila and the society Profilocolore in Rome. - 2006 to present: Member of the Italian Association of Archaeometry (AIAr), founded in 1993. The aim of this Association is to promote and to develop the research activities for the study and the safeguard of the Cultural Heritage through the application of scientific methodologies. - 2013 to present: Member of the Spin-off society SMARTART (http://www.smartartunitus.it/). • Technical Skills Use of laboratory portable techniques such as UV-Vis and IR spectrometry, optical and electronic microscopy, microclimate monitoring instruments, X-ray spectroscopy, micro-Raman spectroscopy, multispectral and hyperspectral systems. Use of software for word processing, spread sheet, presentation and graphical processing, and of specific applications for scientific instruments (Omnic 8.0 for the processing of Infrared and Raman spectra; AxioVision, for the acquisition of microscope images; QA-Lite, for the colour data measurement and processing; SpectraPick and PickViewer, software developed by Profilocolore for the calibration and processing of multispectral images. PUBLICATION 2021-2012 1. L. Lanteri, G. Agresti, C. Pelosi, Investigation of surface patinae on religious marble artefatcs, European Journal of Science and Theology, February 2021, vol. 17, issue 1, pp. 138-148. 2. M. Sbroscia, C. Pelosi, G. Agresti, P. Pogliani, A. Sodo, Spectroscopic investigation of Cappadocia proto-Byzantine paintings, Journal of Raman Spectroscopy, 52(1), 2021, 95-108. doi: 10.1002/jrs.6034. 3. R. Montanari, N. Murakami, Ph. Colomban, M. F. Alberghina, C. Pelosi, S. Schiavone, European Ceramic Technology in the Far East: Enamels and Pigments in Japanese art from the 16th to the 20th century and their reverse influence on China, Heritage Science, 8:48, 2020, 1-17. 4. L. Lanteri, C. Pelosi, A. Lo Monaco, The relevance of monitoring the microclimate in museums. The case of Colle del Duomo in Viterbo, European Journal of Science and Theology, 16(4), August 2020, 181-191. 5. G. Agresti, G. Bonifazi, G. Capobianco, L. Lanteri, C. Pelosi, S. Serranti, A. Veneri, Hyperspectral imaging as powerful technique for evaluating the stability of Tattoo Wall®, Microchemical Journal, 157, 2020, 104866, https://doi.org/10.1016/j.microc.2020.104866 6. A. Marchetti, R. Saniz, K. Dileep, L. Rabbachin, G. Nuyts, S. De Meyer, J. Verbeeck, K. Janssens, C. Pelosi, D. Lamoen, B. Partoens, K. De Wael, Unraveling the role of lattice substitutions on the stabilization of the intrinsically unstable Pb2Sb2O7 pyrochlore: explaining the lightfastness of lead pyroantimonate artists’ pigments. Chemistry of Materials, 32, 7, 2020, 2863-2873, doi: 10.1021/acs.chemmater.9b04821. 7. L. Lanteri, G. Agresti, C. Vaccarella, L. Lucchetti, M. Noto, C. Pelosi, The mediaeval crypt of Saint Sepulchre in Acquapendente (Italy). Study and photogrammetric documentation of the painted surfaces, European Journal of Science and Theology, February 2020, vol. 16, issue 1, p. 177-185. 8. D. Avanzati, R. Saccuman, G. Agresti, R. Faieta, E. Caliano Eduardo, C. Pelosi, A. Lo Monaco, Multidisciplinary approach for the conservation of the Casoli triptych, European Journal of Science and Theology, February 2020, vol. 16, issue 1, p. 207-216. 9. C. Pelosi, A. Lo Monaco, M. Bernabei, G. Agresti, C. Colantonio, A. Perri, D. Comelli, G. Valentini, C. Manzoni, Beyond the visible: The Viterbo Crucifixion panel painting attributed to Michelangelo Buonarroti, Microchemical Journal, 154, 2020, 104636. 10. A. Lo Monaco, R. Saccuman, G. Agresti, T. Mancini, F. Balletti, A. Schirone, C. Pelosi, Investigation of some wooden decorated elements and restoration of the choir in the cathedral of San Rufino in Assisi. European Journal of Science and Theology, April 2020, vol. 16, issue 2, p. 135-143. 11. A. Lo Monaco, C. Pelosi, G. Agresti, R. Picchio, G. Rubino, Influence of thermal treatment on selected properties of chestnut wood and full range of its visual features, Drewno, 63(205), 2020, pp. 1-20. DOI: 10.12841/wood.1644-3985.344.10. 12. G. Capobianco, A. Sferragatta, L. Lanteri, G. Agresti, G. Bonifazi, S. Serranti, C. Pelosi, μXRF mapping as a powerful technique for investigating metal objects from the archaeological site of Ferento, Journal of Imaging, 6(7), 59 (2020) pp. 1-17. Scopus id=2-s2.0-85087519847. 13. C. Pelosi, L. Lanteri, G. Agresti, G. Rubino, F. Persia, G. Bonifazi, S. Serranti, G. Capobianco, Experimental tests for evaluating the stability of a new nano-silica based protective for Sperone stone in comparison to traditional products, AIP Conference Proceedings 2257, 020012 (2020); https://doi.org/10.1063/5.0023721. 14. G. Agresti, P. Burrascano, G. Calabrò, C. Colantonio, L. Lanteri, S. Laureti, M. Melis, C. Pelosi, M. Ricci, S. Sfarra, Hypercolorimetric multispectral Imaging and Pulse Compression thermography as innovative combined techniques for painting investigation: the case of a detached wall painting by Pastura, IOP Conf. Series: Materials Science and Engineering 949 (2020) 012008; doi:10.1088/1757-899X/949/1/012008. 15. L. Lanteri, C. Pelosi, G. Agresti, Low cost system for multispectral 3D models, to document the conservation status and the restoration materials of the polychrome sculptures. ADAMO project (Task 5.1). In: Proceedings of the 1st Conference of DTC Lazio, Distretto Tecnologico Beni e Attività Culturali Centro di Eccellenza, Editors Camilla Arcangioli and Maria Sabrina Sarto, L’«Erma» di Bretschneider, Rome Bristol, 2020, pp. 91-93. ISSN 0081-6299, ISBN 978-88-913-1970-8 (Paperback), ISBN 978-88-913-1973-9 (PDF). 16. C. Pelosi, G. Agresti, A. Veneri, L. Lanteri, G. Bonifazi, S. Serranti, G. Capobianco, Study of the Stability of an Innovative System for Pictorial Reintegration and for the Potential Reconstruction of Wall Paintings, Called Tattoo Wall® or Digital Fresco. In: Proceedings of the 1st Conference of DTC Lazio, Distretto Tecnologico Beni e Attività Culturali Centro di Eccellenza, Editors Camilla Arcangioli and Maria Sabrina Sarto, L’«Erma» di Bretschneider, Rome Bristol, 2020, pp. 139-141. ISSN 0081-6299, ISBN 978-88-913-1970-8 (Paperback), ISBN 978-88-913-1973-9 (PDF). 17. L. Lanteri, C. Pelosi, G. Agresti, Sistema low cost per la creazione di modelli 3D multispettrali, per la documentazione dello stato di conservazione e dei materiali di restauro delle sculture policrome. In: Atti del I Convegno del DTC Lazio, Distretto Tecnologico Beni e Attività Culturali Centro di Eccellenza, a cura di Camilla Arcangioli e Maria Sabrina Sarto, L’«Erma» di Bretschneider, Serie Studia Archaeologica 235, Rome Bristol, 2020, pp. 91-93. ISSN 0081-6299, ISBN 978-88.913-1968-5 (cartaceo), ISBN 978-88.913-1971-5 (digitale). 18. C. Pelosi, G. Agresti, A. Veneri, L. Lanteri, G. Bonifazi, S. Serranti, G. Capobianco, Verifica della stabilità di un sistema innovativo per la reintegrazione pittorica e per una ricostruzione potenziale di dipinti murali, denominato Tattoo Wall® o affresco digitale. In: Atti del I Convegno del DTC Lazio, Distretto Tecnologico Beni e Attività Culturali Centro di Eccellenza, a cura di Camilla Arcangioli e Maria Sabrina Sarto, L’«Erma» di Bretschneider, Serie Studia Archaeologica 235, Rome Bristol, 2020, pp. 139-141-93. ISSN 0081-6299, ISBN 978-88.913-1968-5 (cartaceo), ISBN 978-88.913-1971-5 (digitale). 19. G. Bonifazi, G. Capobianco, C. Pelosi, S. Serranti, Hyperspectral imaging as powerful technique for investigating the stability of painting samples, Journal of Imaging, 5(8), 2019, doi:10.3390/jimaging5010008. 20. R. Montanari, N. Murakami, M.F. Alberghina, C. Pelosi, S. Schiavone, The Origin of Overglaze-blue Enameling in Japan: New Discoveries and a Reassessment, Journal of Cultural Heritage, 37, May-June, 2019, 94-102, https://doi.org/10.1016/j.culher.2018.11.008 21. C. Pelosi, F. Balletti, G. Agresti, A. Lo Monaco, The diagnostic investigation through minimal sampling for religious artworks knowledge: some case studies, European Journal of Science and Theology, 15(2), April 2019, 223-235. 22. G. Luciani, C. Pelosi, G. Agresti, A. Lo Monaco, How to reveal the invisible: the fundamental role of diagnostics for religious painting investigation, European Journal of Science and Theology, 15(3), June 2019, 209-220. 23. A. Lo Monaco, N. Melniciuc Puica, E. Ardelean, G. Agresti, C. Pelosi, The scientific investigation of the wooden board from the 1802 Book of Psalms, European Journal of Science and Theology, 15(3), June 2019, 39-47. 24. L. Lanteri, G. Agresti, C. Pelosi, A new practical approach for 3D documentation in ultraviolet fluorescence and infrared reflectography of polychromatic sculptures as fundamental step in restoration, Heritage, 2(1), 2019, 207-215, https://doi.org/10.3390/heritage2010015. 25. E. Capecchi, D. Piccinino, B. M. Bizzarri, D. Avitabile, C. Pelosi, C. Colantonio, G. Calabrò, R. Saladino, Enzyme-Lignin Nanocapsules Are Sustainable Catalysts and Vehicles for the Preparation of Unique Polyvalent Bioinks, Biomacromolecules, 20(5), 1975-1988, 2019, DOI: 10.1021/acs.biomac.9b00198. 26. S. Laureti, C. Colantonio, P. Burrascano, M. Melis, G. Calabrò, H. Malekmohammadi, S. Sfarra, M. Ricci, C. Pelosi, Development of integrated innovative techniques for the examination of paintings: the case studies of The Resurrection of Christ attributed to Andrea Mantegna and the Crucifixion of Viterbo attributed to Michelangelo’s workshop, Journal of Cultural Heritage, 40 (2019) 1-16, doi.org/10.1016/j.culher.2019.05.005. 27. G. Agresti, G. Bonifazi, G. Capobianco, L. Lanteri, C. Pelosi, S. Serranti, A. Veneri, "Tattoo Wall: study of the stability of an innovative decorative technique through hyperspectral imaging and possible application in the mural painting’s restoration," Proc. SPIE 11058, Optics for Arts, Architecture, and Archaeology VII, 110581G (12 July 2019); doi: 10.1117/12.2525726. 28. L. Lanteri, G. Agresti, C. Vaccarella, C. Pelosi, Documentation and analysis of the colours in the architectural elements of the St. Sepolcro of Acquapendente (Italy). In: Proc. of the 11th European Symposium on Religious Art, Restoration & Conservation, Valencia, 11th-13th April 2019, Edited by María Luisa Vázquez de Ágredos-Pascual, Iulian Rusu, Claudia Pelosi, Luca Lanteri, Angela Lo Monaco and Nicolae Apostolescu, Lexis Compagnia Editoriale in Torino srl , Torino, 2019, pp. 26-29. ISSN: 2532-4381; ISBN: 978-88-32029-11-6. 29. D. Avanzati, R. Saccuman, G. Agresti, R. Faieta, E. Caliano Eduardo, C. Pelosi, A. Lo Monaco, The 16th century tryptic of Santa Liberata: diagnostics and restoration. In: Proc. of the 11th European Symposium on Religious Art, Restoration & Conservation, Valencia, 11th-13th April 2019, Edited by María Luisa Vázquez de Ágredos-Pascual, Iulian Rusu, Claudia Pelosi, Luca Lanteri, Angela Lo Monaco and Nicolae Apostolescu, Lexis Compagnia Editoriale in Torino srl , Torino, 2019, pp. 30-33. ISSN: 2532-4381; ISBN: 978-88-32029-11-6. 30. L. Lanteri, C. Pelosi, A. Lo Monaco, Microclimate monitoring in the Museum of Colle del Duomo in Viterbo (Italy). In: Proc. of the 11th European Symposium on Religious Art, Restoration & Conservation, Valencia, 11th-13th April 2019, Edited by María Luisa Vázquez de Ágredos-Pascual, Iulian Rusu, Claudia Pelosi, Luca Lanteri, Angela Lo Monaco and Nicolae Apostolescu, Lexis Compagnia Editoriale in Torino srl , Torino, 2019, pp. 108-112. ISSN: 2532-4381; ISBN: 978-88-32029-11-6. 31. T. Mancini, F. Balletti, A. Schirone, C. Pelosi, A. Lo Monaco, The botanical species in the marquetry decorations in the wooden choir of San Ruffino Cathedral in Assisi. In: Proc. of the 11th European Symposium on Religious Art, Restoration & Conservation, Valencia, 11th-13th April 2019, Edited by María Luisa Vázquez de Ágredos-Pascual, Iulian Rusu, Claudia Pelosi, Luca Lanteri, Angela Lo Monaco and Nicolae Apostolescu, Lexis Compagnia Editoriale in Torino srl , Torino, 2019, pp. 121-124. ISSN: 2532-4381; ISBN: 978-88-32029-11-6. 32. N. Melniciuc-Puică, G. Agresti, E. Ardelean, C. Pelosi, A. Lo Monaco, Analysis on a book of Psalms printed at Neamt Monastery (Neamt County of Romania) in 1824, In: Proc. of the 11th European Symposium on Religious Art, Restoration & Conservation, Valencia, 11th-13th April 2019, Edited by María Luisa Vázquez de Ágredos-Pascual, Iulian Rusu, Claudia Pelosi, Luca Lanteri, Angela Lo Monaco and Nicolae Apostolescu, Lexis Compagnia Editoriale in Torino srl , Torino, 2019, pp. 143-146. ISSN: 2532-4381; ISBN: 978-88-32029-11-6. 33. C. Pelosi (corresponding), G. Capobianco, G. Agresti, G. Bonifazi, F. Morresi, S. Rossi, U. Santamaria, S. Serranti, A methodological approach to study the stability of selected watercolours for painting reintegration, through reflectance spectrophotometry, Fourier transform infrared spectroscopy and hyperspectral imaging, Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy, 198, 2018, 92-106. https://doi.org/10.1016/j.saa.2018.03.008. 34. G. Capobianco, C. Pelosi (corresponding), G. Agresti, G. Bonifazi, U. Santamaria, S. Serranti, X-ray fluorescence investigation on yellow pigments based on lead, tin and antimony through the comparison between laboratory and portable instruments, Journal of Cultural heritage, 29, 2018, 19-29. http://dx.doi.org/10.1016/j.culher.2017.09.002. 35. C. Parisi, G. Agresti, C. Pelosi, The rediscovery of religious art in Francesco Nagni and the diagnostic study of selected artefacts, European Journal of Science and Theology, 14(1), 2018, 159-171. 36. C. Pelosi (corresponding), G. Agresti, P. Baraldi, The “Slash of light” in the late religious paintings of Mattia Preti: technique and materials, European Journal of Science and Theology, 14(2), 2018, 151-160. 37. C. Pelosi, Religious cultural heritage through maintenance, monitoring, valorisation and promotion, Editorial, European Journal of Science and Theology, 14(2), 2018, 1-2. 38. F. Balletti, C. Pelosi, A. Schirone, T. Nedelcheva, S. Regis, A. Lo Monaco, The wooden door in the ex-Abbey of Saint Secondo. Identification of the botanical species, European Journal of Science and Theology, 14(2), 2018, 121-129. 39. D. Gallo, P. Zander, C. Pelosi, Conservation problems in the Vatican Necropolis, European Journal of Science and Theology, 14(2), 2018, 131-140. 40. A. Lo Monaco, F. Balletti, C. Pelosi, Wood in cultural Heritage. Properties and conservation of historical wooden artefacts, European Journal of Science and Theology, 14(2), 2018, 161-171. 41. C. Pelosi (corresponding), G. Agresti, G. Bagnasco Gianni, S. De Angeli, P. Holmes, U. Santamaria, In situ investigation by X-ray fluorescence spectroscopy on Pian di Civita Etruscan lituus from the “monumental complex” of Tarquinia, Italy, European Physical Journal Plus (2018) 133: 357. https://doi.org/10.1140/epjp/i2018-12225-5. 42. M. Barbanera, C. Pelosi, A.R. Taddei, F. Cotana, Optimization of bio-oil production from solid digestate by microwaveassisted liquefaction, Energy Conversion and Management, 171, 2018, 1263-1272. https://doi.org/10.1016/j.enconman.2018.06.066. 43. R. Montanari, M.F. Alberghina, A. Casanova Municchia, E. Massa, A. Pelagotti, C. Pelosi, S. Schiavone, A. Sodo, A polychrome Mukozuke (1624–1644) porcelain offers a new hypothesis on the introduction of European enameling technology in Japan, Journal of Cultural Heritage, 32, 2018, 232-237. https://doi.org/10.1016/j.culher.2017.12.010. 44. C. Colantonio, C. Pelosi (corresponding), L. D’Alessandro, S. Sottile, G. Calabrò, M. Melis, Hypercolorimetric Multispectral Imaging (HMI) system for cultural heritage diagnostics: an innovative study for copper painting examination, Eur. Phys. J. Plus (2018) 133: 526, DOI 10.1140/epjp/i2018-12370-9. 45. L. Lanteri, G. Agresti, C. Pelosi, 3D model and ultraviolet fluorescence rendering: a methodological approach for the study of a wooden reliquary bust. In: Proc. of the 10th European Symposium on Religious Art, Restoration & Conservation, Prague, 31 May - 1 June 2018, Edited by Slamovír Magál, Dáša Mendelova, Dana Petranová and Nicolae Apostolescu, Lexis Compagnia Editoriale in Torino srl , Torino, 2018, pp.110-113, ISBN: 978-88-942064-8-7. 46. A. Lo Monaco, F. Balletti, G. Agresti, C. Pelosi, A contribution to the diagnostic study of the panel painting San Giorgio e il Drago preserved in municipal art gallery of Spoleto. In: Proc. of the 10th European Symposium on Religious Art, Restoration & Conservation, Prague, 31 May - 1 June 2018, Edited by Slamovír Magál, Dáša Mendelova, Dana Petranová and Nicolae Apostolescu, Lexis Compagnia Editoriale in Torino srl, Torino, 2018, pp.114-117, ISBN: 978-88-942064-8-7. 47. A. Lo Monaco, N. Melniciuc Puica, E. Ardelean, G. Agresti, C. Pelosi, Analysis on the wooden board of the religious book of Psalms dated to 1802. In: Proc. of the 10th European Symposium on Religious Art, Restoration & Conservation, Prague, 31 May - 1 June 2018, Edited by Slamovír Magál, Dáša Mendelova, Dana Petranová and Nicolae Apostolescu, Lexis Compagnia Editoriale in Torino srl, Torino, 2018, pp.118-121, ISBN: 978-88-942064-8-7. 48. G. Luciani, C. Pelosi, G. Agresti, A. Lo Monaco, The importance of diagnostic investigation to reveal hidden paintings. In: Proc. of the 10th European Symposium on Religious Art, Restoration & Conservation, Prague, 31 May - 1 June 2018, Edited by Slamovír Magál, Dáša Mendelova, Dana Petranová and Nicolae Apostolescu, Lexis Compagnia Editoriale in Torino srl , Torino, 2018, pp. 17-19, ISBN: 978-88-942064-8-7. 49. G. Bonifazi, S. Serranti, G. Capobianco, G. Agresti, L. Calienno, R. Picchio, A. Lo Monaco, U. Santamaria, C. Pelosi, Hyperspectral imaging as a technique for investigating the effect of consolidating materials on wood, Journal of Electronic Imaging, 26(1), 2017, 011003-1/13. 50. G. Capobianco, L. Calienno, C. Pelosi (corresponding), M. Scacchi, G. Bonifazi, G. Agresti, R. Picchio, U. Santamaria, S. Serranti, A. Lo Monaco, Protective behaviour monitoring on wood photo-degradation by spectroscopic techniques coupled with chemometrics, Spectrochimica Acta A, 172(5), 2017, 34-42, doi: 10.1016/j.saa.2016.05.050 51. C. Pelosi (corresponding), C. Falcucci, V. Ardagna, Investigation of a medieval illuminated manuscript through non-invasive techniques, European Journal of Science and Theology, 13(2), 2017, 61-68 52. F. Balletti, A. Lo Monaco, G. Agresti, L. Calienno, C. Pelosi, Scientific investigation for a possible conservation project of the wooden door of the Bregno’s aedicule, European Journal of Science and Theology, 13(2), 2017, 13-24. 53. G. Bonifazi, L. Calienno, G. Capobianco, A. Lo Monaco, C. Pelosi (corresponding), R. Picchio, S. Serranti, A new approach for the modelling of chestnut wood photo-degradation monitored by different spectroscopic techniques, Environmental Science and Pollution Research, 24 (2017), 13874-13884. Doi: 10.1007/s11356-016-6047-0. 54. C. Pelosi (corresponding), D. Fodaro, L. Sforzini, C. Falcucci, P. Baraldi, The terracotta modelli of Palazzo Venezia in Rome: Investigation of the constituent materials for fundamental knowledge and to aid conservation decisions, Studies in Conservation, 62(5), 2017, 266-282. Doi 10.1179/2047058415Y.0000000021. 55. S.R. Amato, D. Bersani, P.P. Lottici, P. Pogliani, C. Pelosi, A multi-analytical approach to the study of the mural paintings of the in the presbytery of Santa Maria Antiqua al Foro Romano in Rome, Archaeometry, 59(6), 2017, 1050-1064, doi: 10.1111/arcm.12296. 56. C. Pelosi, L. Lanteri, Join cultures, diffuse knowledge, preserve and valorise religious cultural heritage, Editorial, European Journal of Science and Theology, 13(2), 2017, 1-2. 57. P. Baraldi, C. Baraldi, C. Pelosi, Application of micro-Raman spectroscopy for conservation projects in art and archaeology with a case study on Cappadocia rock-hewn wall paintings. Archematica, 8, 2017, 38-42, ISSN: 2037-2485. 58. M. F. La Russa, N. Rovella, C. Pelosi, D. Rossi, M. Benucci, G. Romagnoli, V. E. Selva Bonino, A. Casoli, S. A. Ruffolo, A multi-analytical approach applied to the archaeometric study of mortars from the Forty Martyrs rupestrian complex in Cappadocia (Turkey), Microchemical Journal, 125, 2016, 34-42. doi: 10.1016/j.microc.2015.11.001. 59. C. Pelosi (corresponding), L. Lanteri, G. Agresti, U. Santamaria, Documentation and Scientific Investigation on the ‘Crucifixion’ by Balletta in the church of Santa Maria Nova in Viterbo (Italy). Conservation and Religious Requirements. European Journal of Science and Theology, 12(1), 2016, 271-281. 60. C. Parisi, C. Pelosi, U. Santamaria, P. Pogliani, G. Agresti, S. Longo, The conservation project of a liturgical object: the case of Infant Jesus of Prague in the church of Saint Mary of Providence at Macchia Giarre (Italy), European Journal of Science and Theology, 12(2), 2016, 235-244. 61. C. Pelosi (corresponding), L. Calienno, D. Fodaro, E. Borrelli, A. R. Rubino, L. Sforzini, A. Lo Monaco, An integrated approach to the conservation of a wooden sculpture representing Saint Joseph by the workshop of Ignaz Günther (1727-1775): analysis, laser cleaning and 3D documentation, Journal of Cultural Heritage, 17, 2016, 114-122. DOI: 10.1016/j.culher.2015.07.004. 62. G. Agresti, P. Baraldi, C. Pelosi (corresponding), U. Santamaria, Yellow pigments based on lead, tin and antimony: ancient recipes, synthesis, characterization and hue choice in artworks, Color Research and Application, 41 (3), 2016, 226-231. 63. G. Bonifazi, S. Serranti, G. Capobianco, G. Agresti, L. Calienno, R. Picchio, A. Lo Monaco, U. Santamaria, C. Pelosi, Study of consolidating materials applied on wood by hyperspectral imaging, Proc. SPIE Vol. 9862, Advanced Environmental, Chemical, and Biological Sensing Technologies XIII, Tuan Vo-Dinh; Robert A. Lieberman; Günter G. Gauglitz (Eds.), Baltimore, Maryland, United States, April 17, 2016, 10 pages. doi: 10.1117/12.2223013. 64. C. Pelosi (corresponding), G. Agresti, M. Andaloro, P. Baraldi, P. Pogliani, U. Santamaria, M.F. La Russa, S.A. Ruffolo, N. Rovella, Micro-Raman and micro-stratigraphic analysis of the painting materials in the rock-hewn church of the Forty Martyrs in Şahinefendi, Cappadocia (Turkey), Archaeometry, 58(4), 2016, 659-672. Doi: 10.1111/arcm.12184. 65. C. Pelosi (corresponding), G. Agresti, P. Holmes, A. Ervas, S. De Angeli, U. Santamaria, An X-ray fluorescence investigation of ancient Roman musical instruments and replica production under the aegis of the European music archaeological project, International Journal of Conservation Science, 7(2), 2016, 847-856. 66. R. Bernini, C. Pelosi, I. Carastro, R. Venanzi, A. Di Filippo, G. Piovesan, B. Ronchi, P. P. Danieli, Dendrochemical investigation on hexachlorohexane isomers (HCHs) in poplars by integrated study of micro-Fourier transform infrared spectrometry and gas chromatography, Trees, 30(4), 2016, 1455-1463. 67. G. Agresti, C. Pelosi, U. Santamaria, Spectroscopic investigation of metal and amber objects from the bronze-age site of Fondarca, Origini, 39, 2016, 157-161. ISBN:978-88-492-8417-1; ISSN: 0474-6805. 68. A. Lo Monaco, L. Calienno, C. Pelosi, F. Balletti, G. Agresti, R. Picchio, Technical properties of beech wood from aged coppices in central Italy, iForest, 8, 2015, 82-88. doi: 10.3832/ifor1136-007. 69. L. Calienno, C. Pelosi (corresponding), R. Picchio, G. Agresti, U. Santamaria, F. Balletti, A. Lo Monaco, Light induced colour changes and chemical modification of treated and untreated chestnut wood surface, Studies in Conservation, 60 (2), 2015, 131- 139. DOI: 10.1179/2047058413Y.0000000119. 70. A. Lo Monaco, C. Giagnacovo, C. Falcucci, C. Pelosi (corresponding), The triptych of the Holy Saviour in the Tivoli Cathedral: diagnosis, conservation and religious requirements, European Journal of Science and Theology, 2015, 11 (2), 73-84. 71. G. Bonifazi, L. Calienno, G. Capobianco, A. Lo Monaco, C. Pelosi, R. Picchio, S. Serranti, Modelling color and chemical changes on normal and red heart beech wood by reflectance spectrophotometry, Fourier Transform infrared spectroscopy and hyperspectral imaging, Polymer Degradation and Stability, 113, 2015, 10-21. doi:10.1016/j.polymdegradstab.2015.01.001. 72. P. Baraldi, C. Pelosi, Scientific methodologies for the study of the techniques and materials of the rocky wall paintings, in Eremitismo e Habitat rupestre, Atti del VI Convegno internazionale sulla civiltà rupestre in ricordo di Giuseppe Giacovazzo, Savelletri di Fasano (BR), 13-15 novembre 2013, a cura di E. Menestò, Centro di Studi sull’Alto Medioevo, Spoleto, 2015, pp. 351-364 + Tavole I-VI. 73. M.F. La Russa, S.A. Ruffolo, N. Rovella, C.M. Belfiore, P. Pogliani, C. Pelosi, M. Andaloro, G.M. Crisci, Cappadocian ignimbrite cave churches: stone degradation and conservation strategies, Periodico di Mineralogia, 83, (2014), 187-206. doi: 10.2451/2013PM00. 74. L. Calienno, A. Lo Monaco, C. Pelosi, R. Picchio, Colour and chemical changes on photodegraded beech wood with or without red heartwood. Wood Science and Technology, 48, (2014), 1167-1180. doi: 10.1007/s00226-014-0670-z. 75. D. Fodaro, C. Pelosi, L. Sforzini. La pulitura di sculture in gesso. Alcuni casi studio di laser cleaning. Progetto Restauro, 68, (2014), 8-16, ISSN: 1974-7799. 76. P. Baraldi, A. Lo Monaco, F. Ortenzi, C. Pelosi, F. Quarato, L. Rossi. Study of the technique and of the materials of a 19th C. polychrome wood mask from Papua New Guinea. Archaeometry, 56, (2014), 313-330. doi: 10.1111/arcm.12003. 77. C. Pelosi, U. Santamaria, G. Agresti, G. De Vivo, D. Bandera. Analysis and laboratory tests to evaluate the composition and the behaviour of some dehumidifying mortars used in the restoration field. Periodico di Mineralogia, 82, (2013), 557-572, 2239-1002, doi: 10.2451/2013PM0033. 78. G. Agresti, G. Bonifazi, L. Calienno, G. Capobianco, A. Lo Monaco, C. Pelosi, R. Picchio, S. Serranti. Colour modifications and hyperspectral imaging: non-invasive analysis of photo-degraded wood surfaces. Journal of Agricultural Engineering, XLIV, (2013), 19-24. doi: 10.4081/jae.2013.(s1):e5. 79. C. Pelosi, D. Fodaro, L. Sforzini, A.R. Rubino, A. Falqui. Study of the laser cleaning on plaster sculptures. the effect of laser irradiation on the surfaces. Optics and Spectroscopy, (2013), 917-928. doi: 10.1134/S0030400X13060118. 80. G. Agresti, G. Bonifazi, L. Calienno, G. Capobianco, A. Lo Monaco, C. Pelosi, R. Picchio, S. Serranti. Surface investigation of photo-degraded wood by colour monitoring, infrared spectroscopy and hyperspectral imaging. Journal of Spectroscopy, 1, (2013) 1-13, doi: 10.1155. 81. C. Pelosi, G. Falletta, B. De Dominicis, P. Baraldi. The painted silk panels of Palazzo Barberini at Rome. The scientific investigation and preservation challenge. Procedia Chemistry, 8C, (2013), 247-256. doi: 10.1016/j.proche.2013.03.031. 82. C. Pelosi (corresponding), G. Agresti, M. Andaloro, P. Baraldi, P. Pogliani, U. Santamaria. The rock hewn wall paintings in Cappadocia (Turkey). Characterization of the constituent materials and a chronological overview. E-Preservation Science, 10, (2013), 99-108. 83. A. Lo Monaco, E. Mattei, C. Pelosi (corresponding), M. Santancini. The scientific investigation for the study and conservation of the wooden Model of S. Maria della Consolazione’s church (Todi, Italy). Journal of Cultural Heritage, 14, (2013), 537-543. doi: http://dx.doi.org/10.1016/j.culher.2012.12.001. 84. C. Pelosi, G. Agresti, L. Calienno, A. Lo Monaco, R. Picchio, U. Santamaria, V. Vinciguerra. Application of spectroscopic techniques for the study of the surface changes in poplar wood and possible implications in conservation of wooden artefacts. In: Luca Pezzati and Piotr Targowski Eds., Optics for Arts, Architecture, and Archaeology IV. vol. 8790, p. 1-14, SPIE, Munich (Germany), 15-16 May 2013, doi: 10.1117/12.2020418. 85. C. Pelosi (corresponding), D. Fodaro, L. Sforzini, A. Lo Monaco. Laser Cleaning Experiences on Sculptures’ Materials: Terracotta, Plaster, Wood and Wax. In: Vadim P. Veiko, Tigran A. Vartanyan, Eds., Fundamentals of Laser-Assisted Micro- and Nanotechnologies 2013. Proceedings of SPIE, vol. 9065, 2013, p. 1-21, SPIE, ISBN: 9780819499929, ISSN: 1996-756X, ST. Petersburg - Russia, doi: 10.1117/12.2052812. 86. A. De Santis, E. Mattei, I. Montini, C. Pelosi. A microRaman and internal microstratigraphic study of ceramic sherds from the kilns of the Medici castle at Cafaggiolo. Archaeometry, 54, (2012), 114-128. doi: 10.1111/j.1475-4754.2011.00604.x. 87. L. Zucconi, M. Gagliardi, D. Isola, S. Onofri, M.C. Andaloro, C. Pelosi, P. Pogliani, L. Selbmann. Biodeteriorigenous agents dwelling the wall paintings of the Holy Saviour’s Cave (Vallerano, Italy). International Biodeterioration & Biodegradation 70, (2012), 40-46, doi: http://dx.doi.org/10.1016/j.ibiod.2011.11.018. 88. A. Lo Monaco, M. Marabelli, C. Pelosi, M. Salvo. The Altar Machine in the Church Mother of Gangi (Palermo, Italy). Interpretation of the past uses, scientific investigation and preservation challenge. Chemistry Central Journal, 6, (2012), 1-11. doi: 10.1186/1752-153X-6-47.